Dimitri Tiomkin »
50 Favorite Film Scores, Part 2: #40–31
Yesterday, I began a week-long look at 50 of my favorite film scores. If you want to read about the background behind the project, check out the earlier post. The remaining scores will be
Read More »CD Review: The Greatest Film Scores of Dimitri Tiomkin
Outside of John Williams and film music festivals, it’s not often that film music concerts are devoted to one composer, especially one from the Golden Age. But few composers lend themselves to such extensive
Read More »9 Oscar-Winning Scores Still To Be Released
You’d think there be a month that went by that I didn’t think about the Oscars. Alas, I’m just that shallow. Even though an Academy Award is no indication of quality, the Oscars are
Read More »CD Review: 55 Days at Peking
With the recent release of a complete FALL OF THE ROMAN EMPIRE rerecording on Prometheus Records and La-La Land’s expanded soundtrack of 55 DAYS AT PEKING, it’s a good time to be a fan
Read More »CD Review: The Fall of the Roman Empire
Samuel Bronston’s THE FALL OF THE ROMAN EMPIRE belongs to cinema of a different era. In today’s world of bloated CGI, the 1964 film is impressive if for nothing else than the detailed sets and
Read More »9 Favorite Film Scores of Dimitri Tiomkin
With the recent release of SAE’s splendid soundtrack for CYRANO DE BERGERAC, I figured this month’s “9 on the 9th” post was the perfect time to celebrate the music of four-time Academy Award winner
Read More »CD Review: Cyrano de Bergerac
Edmund Rostand’s CYRANO DE BERGERAC has smelled like a winner since its premiere in 1897. The story of the unattractive poet and soldier with a rather large nasal protuberance who speaks his love for
Read More »CD Review: Lost Horizon – The Classic Film Scores of Dimitri Tiomkin
The final reissued album in the Charles Gerhardt Classic Film Scores series (at least until March) is LOST HORIZON–THE CLASSIC FILM SCORES OF DIMITRI TIOMKIN. Though there were at least two albums in the
Read More »CD Review: Champion
Fans of Dimitri Tiomkin have reason to celebrate this year. We’ve already seen the premiere of Tiomkin’s score for the 1947 film noir THE LONG NIGHT and the first complete recording of his epic THE ALAMO.
Read More »
















