Viva Bombolini!

Ah, the joys of guilty pleasures. And the joys are many in Stanley Kramer’s THE SECRET OF SANTA VITTORIA. Based on Robert Crichton’s bestselling novel, the 1969 film stars Anthony Quinn as the bumbling wine maker Bombolini, who is elected mayor of his small Italian town as a joke and then must hide one million bottles of the town’s wine from the occupying Nazis.

secretsantavittoriaposter Viva Bombolini!The film runs too long for such a slight comedy, but with Quinn’s charismatic performance at the center, it’s hard to resist. Ernest Gold‘s Oscar-nominated score spices up the proceedings with a robust Italian flavor.

Over the opening credits, Sergio Franchi (who plays Tufa in the film) sings a beautiful Italian song as the camera pans from one Italian peasant to another. The haunting melody is later used as the love theme for Bombolini’s daughter, Angela (Patrizia Valturri), and the young student, Fabio (Giancarlo Giannini). The string melody during the bridge serves as the love theme for the Countess (Virna Lisi) and Tufa, while the cello countermelody is just as lovely as the main theme.

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Click Track: The Song of Santa Vittoria (Stay) (Instrumental)

Gold adapts an Italian folk song, “Con lo Zigo Zigo,” for the theme of the town, first heard as the villagers learn of the fall of the Fascists. This theme will be softly combined with the pizzicato march accompaniment for the Germans as the villagers form a human assembly line to pass the bottles of wine one by one down the hill into their hiding place in the cave.

There is a lively march for Bombolini as he descends the water tower and is carried in triumph through the town on a cart with his role of Mayor awaiting him at the end. But my favorite moment comes as the last bottle of wine is relayed from one villager to the next as they run it down the hill accompanied by Gold’s joyous tarantella.

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Click Track: Celebration

Gold’s music adds buoyancy and life to a charming film. FSM’s release of the LP re-recording is paired with Gold’s 1959 Oscar-nominated score to ON THE BEACH. Both scores–and films–are highly recommended.

About Jim Lochner

Jim has been writing about film music for over a decade. He holds a Bachelor of Music from The University of Texas at Arlington and a Master of Music from The University of Texas (Austin), both in Clarinet Performance. He has written soundtrack CD liner notes for Intrada, Varèse Sarabande Records, Film Score Monthly, La-La Land Records and Disques Cinemusique. Jim has been a bimonthly guest on BBC-Kent’s Drive Home at the Movies radio program and has been interviewed by a number of online and print outlets, including The Toronto Globe and Mail and the Los Angeles Times. Jim served as the managing editor of Film Score Monthly Online ( and is currently writing a book on Charlie Chaplin's film music. For more information, visit


  1. Why a guilty pleasure? Because it sounds like your grandmother would like it?

    I like what I hear a lot. Thanks for sharing Jim. I need to discover more Gold’s body of work. I bought “It’s a mad mad mad world” after you mentioned that it was almost sold out. i saw the movie about 4 times at the movie theater when it came out. Yes, I wasn’t very tall :) Nostalgia was a big factor in getting the disc.

    • The guilty pleasure pertains more to the film than the score. It’s not a “great” film, but Gold’s score elevates it. And I’m glad you were able to grab a copy of MAD WORLD before they were totally gone. Bruce Kimmel over at Kritzerland did a great job improving on the Ryko disc. You won’t be disappointed.

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